Thread: paint lifting
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11-18-2004 04:38 PM #1
paint lifting
Two days ago I painted a car w/DCC-single stage acry urthane.
Today I masked the bottom half off & wet sanded w/600 grit & painted DBU over the DCC. Well I got some lifting of the DCC.. I thinned The DBU 100% w/885, temp was low 80's.
Is this a problem w/DBU.....Will using the base coat that has a reactive thinner eliminate this?Don Meyer, PhD-Mech Engr(48 GMC Trk/chopped/cab extended/caddy fins & a GM converted Rolls Royce Silver Shadow).
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11-18-2004 05:30 PM #2
Don,
Probably not enough drying time before the recoat. Based on what the data sheet says, 72 hours or more would probably be better.
Also, I think sanding a 1-stage (which you need to do to overcoat) breaks the "skin" on the paint. I'm guessing that it should sit for a while after sanding also.
DBU is supposed to work over thoroughly dried OEM finishes.
Check the data sheets at the following website if you don't have them.
http://www.tricitypaint.com/docs.html
Sheets P-152 and P-168Last edited by Henry Rifle; 11-18-2004 at 05:40 PM.
Jack
Gone to Texas
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11-18-2004 06:45 PM #3
DRR reducer is a pretty harsh reducer, and 2 days Air Dry of the DCC and cut open with 600 really let the DRR reducer penetrate the DCC therefore lifting.
May I ask why you reduced it 100%, DBU is mixed 50/50 I think with the extra reducer alowed deeper penetration.
1200/1500 grit would of been alright to sand with and it might not of let the reducer to penetrate so deep, and still allow good BITE of the DBU.
Lighter coats of DBU reduced 50/50 with 15 min. flash time between coats . most likely would of stopped the lifting.
Its not that you did it wrong, as any freshly painted product has the possability of lifting.
I have had DBU lift itself in the summer when 2 toning a truck. Paint can be a crazy animal at times.
Spray
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11-18-2004 09:20 PM #4
I agree with spray, you over thinned just a little, and with fresh (2 day old ) single stage you may have painted too soon after cutting it. Single stage- even with a hardner- is not stable enough to even take wax for like 160 days after painting, so opening it up allowed deep penetration of your thinner.....I have gotten lucky by cutting it and letting it "breathe" for 72 hours, letting the vapors out, and then top- coating- but i was lucky. I have had it raise too.....a '67 cuda dash comes to mind just last summer, had to strip & re-shoot.
Henry had it dead on too........Good Luck!Jim
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11-19-2004 09:31 AM #5
Guys,
I'm guessing what Don said about thinning 100% meant the same as your 50/50 comment - that is, he put in as much thinner as paint.Jack
Gone to Texas
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11-19-2004 10:13 AM #6
You are right 100% reduction is 50/50. In the past I always let the paint bake in the hot Fl sun....but my back was hurting too bad to push the trk out of the garage. So I think everyone hit the nail on the head.....thanks.Don Meyer, PhD-Mech Engr(48 GMC Trk/chopped/cab extended/caddy fins & a GM converted Rolls Royce Silver Shadow).
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11-19-2004 10:15 AM #7
speaking of DCC acryl urethane single stage, that is what I used to paint some of my panels that I'm done with.
I used epoxy primer first. Basically I am getting orange peel city.
After a little of that I tried sanding the primer perfectly smooth before topcoating with a 600 I believe, maybe a 400. Well that didn't work either, I'm still getting orange peel.
I think I got lucky on one fender and the top part that was sitting flat to the ground came out smooth as glass.
Does the position have anything to do with it, because it's basically impossible not to have some surfaces verticle.
How do you guys get paint to come out so smooth and nice?
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11-19-2004 02:08 PM #8
Orange peel is caused by the painter, not the paint - and there are more than a couple of reasons. How do you avoid it?
1. Follow the paint data sheets religiously.
2. Do what it takes to get to the Met . . . practice, practice, practice. From PPG:
Cause: Failure of the paint droplets to coalesce on the surface.
This may be due to:
a) Poor spraying technique, spray gun too far from surface, incorrect compressed air pressure, incorrect nozzle adjustment.
b) Excessively thick or thin film.
c) Paint incorrectly mixed, wrong viscosity, poor quality or incorrect thinner.
d) Insufficient drying time between coats, cold air fanning to speed drying.
e) Incorrect ambient or surface temperature, drafts.
Prevention
a) Use the correct spraying technique and ensure that equipment is correctly adjusted.
b) Apply paint in thin even coats.
c) Ensure that the paint is correctly mixed, use only recommended thinner with the correct grade.
d) Allow sufficient drying time between coats.
e) Spray within the recommended temperature range and ensure proper ventilation.
Remediatioin:
Rub out the orange peel, compound and polish. In severe cases it may be necessary to flat and repaint the surface.Jack
Gone to Texas
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11-19-2004 06:02 PM #9
Pretty much if your not controling the booth- then you can have a million reasons for Peal- the most comon is not enough flash time between coats, and nowhere enough flash time before clearing.
Follow the tech sheet as if it was the only thing between you & a good shoot.....well, it is - isn't it.Jim
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11-19-2004 06:07 PM #10
Also, are you shooting it on till it's nice & shiney when you apply it?Jim
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11-21-2004 12:49 PM #11
The flash time thing may have been the problem. I started waiting the recommended 15 minutes between coats. But one day I was talking to the guy in the paint shop and he said to spray a layer on a scrap piece before each coat and use your finger to test if it's ready for another. Basically he said when it sticks and makes little strings between your finger and the piece then it is good. that is what I started doing. The thing is, it would get like that long before 15 minutes. He told me if it got to the point where nothing stuck to your finger then it was too dry. I suppose maybe I should have been waiting longer.
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11-21-2004 01:08 PM #12
But one day I was talking to the guy in the paint shop and he said to spray a layer on a scrap piece before each coat and use your finger to test if it's ready for another.
Make sure the paint to reducer ratio is exactly what the data sheet says, and that it matches the temp conditions. Make sure your gun is set up correctly, with the right pressure, air and fluid adjustments. Make sure you're not laying down the paint too thick.
. . . . and practice on something you don't care about.Jack
Gone to Texas
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11-21-2004 02:10 PM #13
Thanks for all the replies. My Son was home this weekend & he said he put some left over silver base coat back in the can. So I when I used it I double reduced it.
Thanks for all the help.Don Meyer, PhD-Mech Engr(48 GMC Trk/chopped/cab extended/caddy fins & a GM converted Rolls Royce Silver Shadow).
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11-21-2004 03:20 PM #14
Your welcome Don, if I helped.
tcodi- I tack between coats sometimes- if someone comes into the booth while i'm shooting, and I double the flash times before the first coat of clear, mainly when I shoot a tri-stage. The clear penatrates so much that I've had the basecoat shift under the second coat of clear off of a repair spot. Once bitten- twice shy.....also depending on humidity, you can adjust your mix some on your clear to help it flow by decreasing your solids by up to 15% max.
Get yourself a Viscosity cup & learn how to use it (no- it doesn't go on under anything before you paint). Good Luck...Jim
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11-22-2004 12:26 PM #15
I'm using a single stage so I didn't have a clearcoat.
The data sheet didn't say anything about the tackiness, it just
said 15 minutes, I listened to the paint guy though. Maybe I shouldn't have.
I definitely mixed it right, I was meticulous about that part.
The only other thing is, the data sheet says something like 8-10 psi at the cap, 40-50 at the gun.
my compressor has a regulator and I set it between 40 and 50. Is that right? What does "at the cap" mean then?
Thank you Roger. .
Another little bird